The Deposition Date 1565(1565)
Medium Oil on wood
Dimensions Height: 350 cm (137.8 in). Width: 235 cm (92.5 in).
cjr new25/Angelo Bronzino-486939.jpgPainting ID:: 86595
The Deposition Date 1470s
Medium Oil on oak panel
Dimensions Height: 129 cm (50.8 in). Width: 95 cm (37.4 in).
cjr new25/unknow artist-878783.jpgPainting ID:: 86758
The Deposition Date c. 1460(1460)
Medium Oil on oak panel
Dimensions Height: 57 cm (22.4 in). Width: 52 cm (20.5 in).
cjr new25/unknow artist-487356.jpgPainting ID:: 86778
The Deposition Date c. 1528(1528)
Medium Oil on wood
Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in).
cjr new25/Jacopo Pontormo-657959.jpgPainting ID:: 86917
The Deposition Date 1512(1512)
Medium Oil on wood
Dimensions Height: 298 cm (117.3 in). Width: 197 cm (77.6 in).
cjr new25/Lorenzo Lotto-398487.jpgPainting ID:: 86923
The Deposition between 1513(1513) and 1516(1516)
Medium oil on panel
Dimensions Height: 51 cm (20.1 in). Width: 97 cm (38.2 in).
cyf new25/Lorenzo Lotto-397565.jpgPainting ID:: 91661
The Deposition 1528(1528)
Medium oil on panel
Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in).
cyf new25/Jacopo Pontormo-998945.jpgPainting ID:: 91668
(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.
The Deposition 1516(1516)
Medium Oil on canvas transferred from wood
cyf
